Performance Coaching
For musicians who want to…
feel less self-conscious on stage
feel more connected to their music
become more expressive without forcing emotion
develop stage presence
make stronger interpretive choices
prepare for auditions, recitals, competitions, or performances
For singers and instrumentalists.
One-on-One
In person or online
€60 per hour
For musicians who want to feel more confident, present, and connected on stage.
Sessions focus on: auditions & performances, performance anxiety, interpretation, stage presence, acting & storytelling.
I offer a free introductory coaching session so we can get to know one another.
Book a session here
Group Workshops
In person or online
60-120 minutes
€15-€35 per person
I'm currently putting together future workshops want to hear from individuals and groups who would be interested.
Please fill out the form below.
For Organizations
Custom performance workshops for schools, ensembles, conservatories, and other groups.
About me
I’m a Canadian soprano and performer with a background in singing, acting, directing, and performance training. Through my own training and professional experience, I became interested in how practical acting techniques can help musicians feel more confident, present, and connected on stage
During my Master’s in Classical Voice at the Koninklijk Conservatorium Den Haag, I developed my own approach to acting for musicians, focusing on action, intention, connection, and practical exercises that can be applied directly to performance.
I now work with singers and musicians who want to get out of their heads, make stronger choices, and feel more comfortable communicating on stage.
Here I have linked my research at the KC (The Active Score) if you are interested to read more about the bases of my pedagogy.
Book Now: One-on-One
Each session is tailored to what you need as a performer. We might work on a specific piece, explore a performance challenge, or use exercises to develop your skills more broadly.
In one-on-one coaching, we can work on:
Getting out of your head and staying present
Stage fright, nerves, and self-consciousness
Finding clear intentions and playable actions
Text and score analysis
Subtext and storytelling
Making stronger expressive choices
Connecting with your scene partner, pianist, or audience
Improvisation and spontaneity
Stage presence and physical awareness
Preparing for auditions, recitals, competitions, or performances
What to bring:
A piece of music, scene, monologue, or repertoire you're working on.
Your score and/or text
English translation
Your questions and ideas
Testimonials
Get in Touch.
Questions about coaching.
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